If a motherfucker could properly mix audio I wouldn’t need them.
If I wouldn’t have to turn the volume ALL THE WAY UP followed by ALL THE WAY DOWN because your show/movie can’t decide if we’re whispering or blowing the planet up every ten seconds, I wouldn’t need them.
That’s cause you probably are listening to a 5.1 or 7.1 audio on your 2.0 speakers. You got no center channel and that’s where the dialog happens.
This is the issue with TVs most of the time. You can either downmix 5.1 to 2.0 somehow, be lucky and have a setting on your TV that can downmix for you, or buy 5.1 sound system.
“Yeah well, it sounds perfect in my soundproof bunker on my $10,000 cans, I don’t know why you think Inwould test the sound out in a cluttered living room setting on a $300 TV with no surround sound.”
i’ve got one of those systems. It’s tuned damn well. I still have those problems. It’s like asking why someone would not like something shot in shaky cam. Some people just get nauseated when it takes up the whole screen. I do, and I do fine on roller coasters. And was stoned. It was weird. Not every film is for every person, but if you can add subs it makes it more accessible.
I keep hearing things are mixed for the theater, but I went to the theater to see the odyssey the other day for the first time in a while, and it had the same problem! Sound mixing is trash these days…
it was just one scene in Corpse Bride, too. a single song, I finally watched it with the subtitles on and understood it this year. I understood some delightful jokes and lyrics for the first time! I want to cast so many aspersions at our dear friend Alan Smythee at the sound department on that film, but like half the sound department went uncredited so i get it.
I have an expensive (be it old) surround sound setup. Marvel and many other modern movies suck absolute arse. Having to pause and fiddle with volume going from a barely audible conversation to deafening noise in a single scene.
Fuck that noise, audio seems optimized for smartphone speakers nowadays.
What if, hear me out, they changed the format a bit to supply 2 separate audio tracks. One for voice, one for effects. Then we could adjust it ourselves.
Even with decent amps and good speakers and all leveled some movies suck, a lot of shows suck and it’s a random crapshoot what works. Older movies work well.
We went to the re-airing of interstellar on imax. The sound when the ship was getting hammered with hail was so loud my ears were ringing and we left. Making movies painful should not be the point.
Same. I never saw it when I had an original run in the theater and was so excited for the re-release. Couldn’t get to one of the true film IMAX showings of it, but went to an IMAX theater and oh my God did they just have the damn sound cranked… So muddy, so loud. Makes me appreciate my home theater that much more…
Let me find the center channel setting on my two speaker stereo real quick.
Movies from the 90s and prior sound perfectly fine even with loud explosions and whispers and a large dynamic range. Today’s mixes are just straight up dog shit.
that would be the occasion to find the [enable dialogue enhancer] setting (or a reasonable facsimile, mine is called the same) in the tv. if you have a center channel, leave it off.
If a motherfucker could properly mix audio I wouldn’t need them.
If I wouldn’t have to turn the volume ALL THE WAY UP followed by ALL THE WAY DOWN because your show/movie can’t decide if we’re whispering or blowing the planet up every ten seconds, I wouldn’t need them.
That’s cause you probably are listening to a 5.1 or 7.1 audio on your 2.0 speakers. You got no center channel and that’s where the dialog happens.
This is the issue with TVs most of the time. You can either downmix 5.1 to 2.0 somehow, be lucky and have a setting on your TV that can downmix for you, or buy 5.1 sound system.
“Yeah well, it sounds perfect in my soundproof bunker on my $10,000 cans, I don’t know why you think Inwould test the sound out in a cluttered living room setting on a $300 TV with no surround sound.”
– Average Present Day Audio Engineer
i’ve got one of those systems. It’s tuned damn well. I still have those problems. It’s like asking why someone would not like something shot in shaky cam. Some people just get nauseated when it takes up the whole screen. I do, and I do fine on roller coasters. And was stoned. It was weird. Not every film is for every person, but if you can add subs it makes it more accessible.
At least some of those audio engineers go home everyday to listen on their $300 Roku TV so it really makes no sense. I know some.
Audio Engineering is not some lofty high-paying profession.
I keep hearing things are mixed for the theater, but I went to the theater to see the odyssey the other day for the first time in a while, and it had the same problem! Sound mixing is trash these days…
the first film i really noticed it in was Corpse Bride. been a problem for 21 years.
Yeah “these days” is getting to be a pretty wide range you’re not wrong 😅
it was just one scene in Corpse Bride, too. a single song, I finally watched it with the subtitles on and understood it this year. I understood some delightful jokes and lyrics for the first time! I want to cast so many aspersions at our dear friend Alan Smythee at the sound department on that film, but like half the sound department went uncredited so i get it.
They often claim you need a proper audio setup.
I have an expensive (be it old) surround sound setup. Marvel and many other modern movies suck absolute arse. Having to pause and fiddle with volume going from a barely audible conversation to deafening noise in a single scene.
Fuck that noise, audio seems optimized for smartphone speakers nowadays.
What if, hear me out, they changed the format a bit to supply 2 separate audio tracks. One for voice, one for effects. Then we could adjust it ourselves.
I’d vote for you
They kinda do that with surround. Dialogue is mostly isolated to the center speaker.
Which is why it sounds bad, because 99% of the audience is watching on a stereo TV they got at Wal-mart.
Even with decent amps and good speakers and all leveled some movies suck, a lot of shows suck and it’s a random crapshoot what works. Older movies work well.
No, it’s optimized for 42-speaker, billion-watt Imax screens. Where I have to wear earplugs.
We went to the re-airing of interstellar on imax. The sound when the ship was getting hammered with hail was so loud my ears were ringing and we left. Making movies painful should not be the point.
Same. I never saw it when I had an original run in the theater and was so excited for the re-release. Couldn’t get to one of the true film IMAX showings of it, but went to an IMAX theater and oh my God did they just have the damn sound cranked… So muddy, so loud. Makes me appreciate my home theater that much more…
But it really makes you feel like
SpidermanYou have tinnitusBoost your center channel and/or enable dialogue enhancer.
Won’t help with Marvel movies (their mixing sucks ass) but most others.
Let me find the center channel setting on my two speaker stereo real quick.
Movies from the 90s and prior sound perfectly fine even with loud explosions and whispers and a large dynamic range. Today’s mixes are just straight up dog shit.
that would be the occasion to find the [enable dialogue enhancer] setting (or a reasonable facsimile, mine is called the same) in the tv. if you have a center channel, leave it off.
Kodi power.