• FiniteBanjo@feddit.online
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    7 hours ago

    If I were an actor I would be making it real fucking clear in writing to everyone I was related to that this shit is not okay and to never ever sign off on it.

  • warm@kbin.earth
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    9 hours ago

    What if they just hired an actor to play his part?

    Why would you ever fucking resort to ai.

    • WhoIzDisIz@lemmy.today
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      8 hours ago

      Because they want to wear us down until we no longer bother to fight it. In the long run, they’ll be able to do it for virtually everything, and not have to pay a dime to expensive actors.

    • zikzak025@lemmy.world
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      8 hours ago

      Because studios are creatively bankrupt.

      Not only can they not conceive of making something original, but they can’t even imagine retreading old ground without the exact same cast.

      • MinnesotaGoddam@lemmy.world
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        4 hours ago

        I dunno. I saw this play and it changed my opinion. You know The Music Man? I got to see it on stage with the woman who played the librarian love interest in the film in the cast. Her son was playing the lead in the play. Her part in the play had a lot less stage time. But it was really special to see both her and her son (who she was pregnant with during filming).

        That brought me around on the cameos.

    • BucketBong@p.hobo.social
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      9 hours ago

      Careful, Netflix just might do that.

      Gene Wilder in the reboot of Weekend at Bernie’s, coming summer 2026

    • TheTechnician27@lemmy.world
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      7 hours ago

      For as much as Gene Wilder already resented this role, I’m pretty sure he’s about to exhume himself and send Netflix’s CEO down the bad egg chute.


      Edit: I was big, big wrong. Please see below.

        • TheTechnician27@lemmy.world
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          7 hours ago

          Oh, I completely misremembered. I’m really sorry: it was Dahl who loathed the 1971 film, and Wilder put a lot of his own feedback into the role.

          From The Guardian:

          Dahl himself would be exasperated over the 1971 film’s endurance. Though he was nominally billed as its screenwriter, his original adaptation was scarcely detectable beneath all manner of uncredited rewrites, and he was vocal in his disdain for the result, Wilder and all. His list of grievances was long: Dahl had wanted the arch British peculiarity of Spike Milligan or Peter Sellers for Wonka, he was unhappy with the film’s foregrounding of Wonka over Charlie, he resented plot alterations and additions that muddied the cautionary neatness of his original tale, and he wasn’t a fan of Leslie Bricusse and Anthony Newley’s perky song score.

          Honestly, that makes me feel even shittier about the AI Gene Wilder now.